is an entity that acts as itself and those who act within it are subject to its randomness and power. Crane notes that shipwrecks are apropos of nothing, and even states quite obviously in reference to nature that she was indifferent, flatly indifferent. The dark fin of an enormous shark cuts the water near him, and the correspondent wishes that someone were awake with him against the thing in the sea. As the land comes closer, the captain is able to make out a house on the shore; the cook and the captain anticipate men coming out to rescue them. The men had hardly slept for two days and nights before getting on the dingy, and had eaten little as well. The captain is injured, and the three others must row to safety.
A wave pushes the american Politics in the 18th Century correspondent out of the current, and the captain calls him to the boat. In the passage from "The open Boat, A Tale of the sea" by Stephen Crane, a group of sailors along side their captain are left with a boat to face the raging forces of the sea on their conquest to find "sand and tree". The men's anger is amplified while insulting fate calling it an "old ninny-woman" which could show signs of its incompetency and an "old hen" portraying its weakness and absurdity in relation to the infuriating situation which it has placed them. American naturalism is a writing technique that coincided with another major movement, realism, during the post-Civil War period until around 1910 or 1920. Expecting now to be seen and rescued, the men are at first puzzled, then angered that no one is on the beach. Commodore is injured, consumed with despair and visions of the sinking of the ship and the faces of its crewmembers. Extracts from this document. The men are filled with anger, wondering why they should endure so much if they might be drowned before they reach shore. The correspondent finds four dry cigars, and everyone smokes and takes a drink of water.
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